20th century

20th Century Queens of San Francisco Bay Area
MERCURY
Agent of Creative Change
Why does everything feel so charged up at Carnaval Time? One reason is the Esu is much more out and about. Esu bearshttp://numismaticblog.com/wp-content/uploads/2008/11/1941-mercury-dime-obverse1-thumb.jpg striking resemblance to Hermes who was renamed Mercury by the Romans. Both are likely progeny of the Egyptian's  Thoth  (shown is the Mercury dime )

 12 stepping with the Orixas in Brazil 
Brazilian Jungian analyst John Burns updates the most successful model of drug treatment with spectacular orisha illustrations by  Francisco Santos. The similarity between these deities and those of early Greece and the relationship to Egypt is a new topic in academia



The Black Queen Califa ||
Learn the fascinating story about the Goddess the state of California was named after. Throughout history, Black Madonnas have often inspired heroism by historic figures. 

 

 

Alma de Bretteville Spreckels

(March 24, 1881 – August 7, 1968), known both as "Big Alma" (she was 6 feet (1.8 m) tall) and "The Great Grandmother of San Francisco"
A fascination with fine art led her to enroll in night classes at the Mark Hopkins Art Institute, where she studied painting miniatures during her late teens. Her wholesome beauty began to make heads turn and she soon found herself working as an artist's model at the school, which paid for her lessons. Fed up with her meager financial situation, she accepted lucrative offers to pose in the nude for various local artists, who provided tastefully risqué paintings to the many saloons found along the city's infamous Cocktail Route.

Alma de Bretteville met her future husband thanks to modeling for the Dewey Monument by Robert Aitken, which can be found in Union Square. This statue was selected from a number of entries and only barely made the cut, thanks to the crucial vote of the chair of the Citizen's Committee, Adolph Spreckels. Because he was head of the Spreckels Sugar Company, Alma often referred to her husband as her "sugar daddy".

Their home in Pacific heights now serves as the home of author Danielle Steel. After the mansion was completed, she began throwing opulent parties as befitting a woman of her status. Although attended by local celebrities such as author Jack London and sculptor/ public art arbiter Earl Cummings, there were a number of people who were disdainful of her earlier infamy and snubbed her invitations.

Loïe Fuller Alma de Bretteville Spreckels

Loie Fuller

Alma Spreckels

This motivated her to gain some respectability for herself and she went to Paris, where she met entertainer Loie Fuller and through Fuller, other artists, most notably Auguste Rodin. Through Fuller's encouragement and contacts, Spreckels became one of the more influential art collectors in the U.S. which was beautifully housed in the museum she built: the Palace of the Legion of Honor overlooking the Marin headlands and the Golden Gate. 
Alma Spreckles also was instrumental in building San Francisco's Maritime Museum

wikipedia.org//wiki/Alma_de_Bretteville_Spreckels
wikipedia.org/San_Francisco_
Maritime_National_Historical_Park
wikipedia.org/California
_Palace_of_the_Legion_of_Honor

At the center of the square at the center of the city is a triumphant bronze goddess atop a tall granite column, holding a wreath of peace towards the horizon, and a trident to the heavens.

One of the three oldest squares in San Francisco - the other two are Portsmouth Square and Washington Square - Union Square was donated the land to The City for a public plaza in 1850, by John W. Geary, the first American mayor of San Francisco.

 The Legion of Honor
San Francisco's most beautiful museum, displays an impressive collection of 4,000 years of ancient and European art in an unforgettable setting overlooking the Golden Gate Bridge. The Legion of Honor was completed on Armistice Day in 1924.
Rodin's best known monumental work, the Thinker dominates the Legion's outdoor Court of Honor, and is one of the earliest acquisitions of the more than seventy Rodin sculptures that Mrs. Spreckels purchased and later donated to the museum.

Isadora Duncan

(May 26, 1877 – September 14, 1927) "modern dance," founding the "New System" of interpretive dance, blending together poetry, music and the rhythms of nature
Joseph Charles and Dora Gray Duncan. Her father was a poet and her mother was a pianist and music teacher. When Isadora's parents married, her father was divorced with four children and 30 years her senior. He supported his family through running a lottery, publishing three newspapers, owning a private art gallery, directing an auction business and owning a bank. After his bank failed he was put on trial four times and eventually moved to Los Angeles. Dora Gray Duncan divorced her husband, supporting her family by teaching music. Her husband later returned and provided a home for his ex-wife and their children.

''I am the spiritual daughter of Walt Whitman,'' Isadora Duncan had declared, and indeed ''Song of Myself'' could stand as a motto for her entire life. Her  version of RW Emerson's ideal of the spirit of self-reliance that believes only in itself and refused all limits.

She constantly studied the sources of movement and refined her own liberating approach to dance, which she claimed to have discovered in the waves breaking on California shores, in the art of ancient Greece, in the ideas of Whitman, Nietzsche and Wagner. Wherever she went, she proclaimed her aesthetic, both from the stage and in writing. Her costumes were scant, but she was shrouded in her lofty ideas: ''Art which is not religious is not art, is mere merchandise.''

She created a primitivist style of improvisational dance to counter the rigid styles of the time. She was inspired by the classics, especially Greek myth. She rejected traditional ballet steps to stress improvisation, emotion, and the human form. Isadora believed that classical ballet, with its strict rules of posture and formation, was "ugly and against nature" and gained a wide following that allowed her to set up a school to teach. She became so famous that she inspired artists and authors to create sculpture, jewelry, poetry, novels, photographs, watercolors, prints, and paintings.

Throughout her career, Duncan did not like the commercial aspects of public performance, regarding touring, contracts, and other practicalities as distractions from her real mission: the creation of beauty and the education of the young.

In her last United States tour in 1922-23, she waved a red scarf and bared her breast on stage in Boston, proclaiming, "This is red! So am I!". She was bisexual, which was not uncommon in early Hollywood circles.

Duncan's fondness for flowing scarves which trailed behind her was the cause of her death in a freak automobile accident in Nice, France, on the night of September 14, 1927, at the age of 50

Isadora Duncan wikipedia.org//wiki/Isadora_Duncan

 

“Isadora Duncan is one of the greatest women I have ever known … Sometimes I think she IS the greatest woman I have ever known.”

– Auguste Rodin

''All who have escaped in any degree fromhttp://www.worldalmanac.com/blog/isadora04.jpg the rigidity and prissiness of our once national religion of negation owe a debt to Isadora Duncan's dancing. She rode the wave of revolt against Puritanism; she rode it, and with her fame and Dionysian raptures drove it on. She was -- perhaps it is simplest to say -- the crest of the wave, an event not only in art but in the history of life.''

-Max Eastman

''The soul becomes drunk with this endless succession of beautiful lines and groupings''

- Ernest Newman

''Where her work was concerned she had integrity and patience, knowing no compromise with what she felt to be the truth about beauty. In her personal life she had charm and a naive wit. Of tact and self-control she had very little, nor did she wish to have. She was the complete and willing tool of her impulses.''

-Arnold Genthe

Ina Coolbrith possessed a rare talent. She not only created beauty, but shehttp://upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Isadora_Duncan_ggbain_05654.jpg/464px-Isadora_Duncan_ggbain_05654.jpg had the gift, as well, of inspiring the creative instinct in others. Isadora was an eager pupil. Her reading carried her back to the classical culture of ancient Greece, and the natural, unaffected, spontaneous Grecian art became her inspiration

Samuel Dickenson @ sfmuseum.org

http://www.makara.us/04mdr/01writing/03tg/bios/Duncan_files/IsadoraDuncan4.jpg"The most famous woman of the first quarter of the 20th century may have been Mary Pickford, but the most influential, and the most notorious, was Isadora Duncan. She was the progenitor and soul of a new art form, modern dance. She was the prototype of the uninhibited young American whose freshness and originality charmed jaded old Europe.

 – New York Times, 2001

 


Rosalie - Elise - Rhoda

Great Grand Nieces of Levi Straus
Their very great-granduncle was Levi Strauss, who came to Sanhttp://www.geocities.com/lambson1/3001.jpg Francisco in 1853 and established a dry-goods business. Within a year he made a contribution to a local orphanage. When he passed away in 1902, the headlines in the local paper identified him not only as a successful businessman -- he had co-invented the blue jean in 1873 -- but as a philanthropist. http://whatimseeing.com/upload/levis_3.jpg

Levi Strauss became an American citizen in January 1853. He subsequently joined his two older brothers and Sister Fanny in San Francisco to establish a branch of the family business there. By 1866, bolstered by a reputation for honesty and fair prices, Strauss was successful enough to open larger headquarters on Battery Street, in which he installed gaslight chandeliers, a freight elevator, and other modern conveniences.

Trained as a tailor, he used the stout canvas he had http://www.kustomhotroddesigns.com.au/images/100_2998.JPGbrought with him to make especially durable pants, which miners found perfect for their close-to-the-ground line of work. He quickly began selling these pants as fast as he could make them. Levi's® jeans”, were born. Levi Strauss, a man of integrity who built ahttp://www.referenceforbusiness.com/businesses/images/lab_0001_0002_0_img0130.jpg legendary business by providing a durable, high quality product backed by his own name and his family’s reputation, has left an enduring mark on American and world culture.

Levi Strauss left the business to 5 nephews. The family has a tradition going back five generations of connecting people to public spaces they can use and enjoy.

Rosalie M. Stern
grandniece of Levi Straus, President of the San Francisco Recreation and Park Commission, Mrs. Stern founder of the Sigmund Stern Grove Festival Association in 1938. The Festival Association initiated an annual concert series, stipulating that all performances were to be free to the public and designated for everyone’s enjoyment.
Mrs. Sigmund Stern, searching for a fitting memorial to her late husband –a living monument that would carry on their lives’ work in civic service – hit upon the idea of buying the property. She had discovered its possibilities during her long friendship with John McLaren, San Francisco’s late, beloved Park Superintendent.

She turned it over to the people of San Francisco as a recreation site, deeding it in perpetuity to the city with the express provision that it would forever be used only for recreational purposes.

For this it had obvious advantages – shelter from prevailing winds and fog, unspoiled nature in close proximity to the heart of an expanding city. A continuous 64-acre open space, Stern Grove on the east and Pine Lake Park on the west. he slopes of this recession are covered with a dense eucalyptus forest. The trees are up to an estimated 200' in height and create a thick natural screen from noise and the surrounding city.

Some additional possibilities soon became apparent. It was Nature’s music box. The terrain, with the help of the accidental sounding board created by the tall eucalyptus massed down the slopes, provided unusual acoustics.

For the first time, San Francisco, the cultural heart of the Pacific Coast, had an outdoor center to vie in service to the people with Chicago’s Ravinia Park, St. Louis’s Forest Park and Hollywood’s Bowl.

.sterngrove.org/

In 1938 Mrs. Stern rallied a group of equally civic minded citizens to form the Sigmund Stern Grove Music Festival Committee. With that support and impetus, the idea of a full summer season of music events, free to all, burgeoned into full life.


Rhoda Goldman Concert Meadow: Free concerts often occur Sundays at 2pm

Stern Grove Festival Association is a non-profit presenting organization committed to increasing access to world-class performing arts

When Rosalie Stern purchased the land, she hired architect Bernard Maybeck to oversee the restoration of the Trocadero Inn. • Some stories claim that the holes in the Trocadero front door are bullet holes from the day in 1907 when the police apprehended corrupt city boss Abe Ruef, who was hiding out there to avoid arrest. However, no shots were fired, as Ruef went peacefully with the police. • The stone walls leading down to the grove from 19th Avenue were part of a 1930s federal Works Progress Administration (WPA) project.
sterngrove.org/

 

"Integrity
needs no mention; it is all
important."

Elise Stern Haas
1893-1990
Elise Haas
was the first woman to become president of the Board of Directors of Mt. Zion Hospital and the San Francisco Museum of Modern Art. Mrs. Haas, served as chairman until 1969 of the Stern Grove Festival. A talented sculptor and patron of the arts, Mrs. Haas was instrumental in initiating programs that provided opportunities for young people to actively participate in the City's cultural life.
Walter A. Haas, Sr.,   His long association with Levi Strauss & Co. began in 1914 when he married Elise Stern, the founder’s grandniece and daughter of the firm’s president, Sigmund Stern. and his wife Rosalie. Walter A. Haas

Walter A. Haas, Sr.
1889-1979

Former Levi Strauss & Co. President and Chairman Berkeley business school, was named after him in 1989. He graduated from Berkeley’s College of Commerce in 1910,
Walter Haas Sr., eventually ran the company for 30 years. The Walter & Elise Haas Fund was established in 1952. Walter and Elise Haas had three children: Rhoda (who married Richard Goldman), Peter (who married Miriam "Mimi" Lurie) and Walter (who married Evelyn Danzig). While there are other family funds, these have the largest endowments:

The Evelyn and Walter Haas Jr. Fund  focuses on advancing civil rights, helping low-income children and families, and improving neighborhoods. haasjr.org/

The Richard & Rhoda Goldman Fund,  known for its Goldman Environmental Prizes goldmanfund.org

The Walter and Elise Haas Fund  San Francisco Museum of Modern Art. haassr.org/

 At times, the funds collaborate, but for the most part they operate independently.


Crissy Field
"The majority of the people in this world are not eco-tourists. They live in urban areas and the landscape they see is the built landscape of the city," Hargreaves said. "We're trying to make the natural processes more evident, make them more palpable and readable ... . We want to engage the mind as well as the body and the emotions."

The Front Yard to San Francsico @ sfgate.com

Upon completion of the planning process and environmental review which took almost ten years, implementation was stimulated by the Haas family's leadership gifts to the Golden Gate National Parks Conservancy totaling $18 million ($14 million from the Evelyn and Walter Haas, Jr. Fund and $4 million from the Colleen and Robert Haas Fund).

Study of the public/private partnership @ nps.gov

wiki/Crissy_Field
<title>HTML clipboard</title>succeeded by her daughter, Rhoda  Goldman succeeded her mother in chairing the festival from 1969 until her  untimely death in 1996, her son, Dr. Douglas E. Goldman then became Festival Chairman.
Rhoda Hass Goldman(1924-1996) great-grandneice of Levi Strauss and wife of Richard Goldman
Mrs. Stern chaired the Festival until her death in 1956. Her daughter, Elise Stern Haas, served as chairman until 1969; she was
In 1990, Richard N. Goldman and his late wife, Rhoda H. Goldman (1924-1996) established the Goldman Environmental Prize, stemming from their lifelong commitment to environmental protection, in order to recognize ordinary individuals working at the grassroots level who protect and enhance our environment.
At the end of every year the Goldman Environmental Prize jury meets in San Francisco to select the recipients of the Prize for the upcoming year. The winners are announced at the Prize ceremony in San Francisco the following April.

In 1951, Richard and Rhoda started the Goldman Fund, a philanthropic foundation that has given away nearly half a billion dollars to a variety of nonprofit organizations that are making the world a better and safer place. The Goldmans are known for their commitment to arts and culture, Jewish affairs and the environment.

Richard and Rhoda had four children, Richard (1947-1989, John, Susan, and Douglas. They have eleven grandchildren.

hews to the family's goal of giving people from all walks of life access to the best of the Bay Area
Next Generation

Susan R. Gelman great-great-grandneice Vice President, Secretary, & Treasurer of Goldman Environmental Foundation Former member, the President's Advisory Council on the Arts; Trustee, WETA; daughter of Richard & Rhoda Goldman, Board Member Emeritus Stern Grove Festival

 

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